RPG Review: Gods of the Fall by Monte Cook Games

Gods-of-the-Fall-CoverIt’s time for an RPG review! Trying to get back into the swing of things, while fulfilling two Kickstarters, planning three more, and handling regular life.

I feel busy. But this week was a good week. I received fulfillment rewards for 5 Kickstarters in the last month, and I’m slowly working my way through them for review.

First up, Gods of the Fall by Monte Cook Games. Gods of the Fall is the first book in the new line of settings for MCG’s Cypher System, a generic ruleset identical to the one that powers the wildly successful Numenera and The Strange games.

Gods of the Fall was a Kickstarter reward, and the game does require the generic ruleset in the Cypher System Rulebook to play the game (think along the lines of the new White Wolf World of Darkess/Chronicles of Darkness line of games).

Players take on the role of adventures who discover they have a divine spark, 40 years after Heaven fell and crashed through the Earth, killing all the Gods. It’s a post-divine, post-apocalyptic fantasy game.


1.) Size and Production Quality.

A nice 188 page hardcover, full color book. Like all MCG productions, the book is a mixture of gloss and matte on the cover, and feels sturdy and durable. It feels solid, and fits nicely along the rest of the MCG games on the shelf. It’s a little thin for $45 USD, but RPG pricing is a hard line to nail down, and I certainly don’t feel like my money was wasted.

8/10


2.) Art

This might be the single most beautiful RPG book I’ve ever owned. Every piece of art in the game is brimming with beauty, evocation and talent. Seriously. I just flipped through the book looking at what might be the most amazing fantasy art I’ve ever seen compiled in a single RPG rulebook.

The graphic design is the normal MCG layout (sidebars with page references and tips, multi-colored chapters), and it holds and contains the art and words in a truly stunning manner.  Can’t rave enough.

It frankly reminds me of the beautiful 4th Edition Legend of the Five Rings books.

11/10


3.) Content / Rules

Ok. So. The Cypher system seems to be a bit polarizing. I haven’t made up my mind about the ruleset in a final decision.

It’s the usual “I’m a _adjective_ _noun_ who _verbs_” but with the addition of a new type, called a domain, that adds on the the end of the Character descriptor and says “and is the _God of _________”.

Ok, that works, and it’s a solid way to get into that. I approve fully, and as always, I like the “adj/noun/verb” char-gen set up. The Domain powers are pretty slick, and there’s wonderfully generic so you can let your imagination run wild. Domains can be as specific as you want, from “God of Winter” to “God of the Morning Frost” to “The Snowflake God of the North” and mechanically the same ruleset will completely cover all the aspects.

The rules for Divine Shifts are a simple variation of the superhero rules in the Cypher corebook (makes sense, and fits), and here’s where the game gets awesome.

You have to complete legendary labors (a la Hercules), fulfill a 7 part prophecy (which is excellent written), gain servants, and help restore the (or create a new) kingdom of Heaven with some semblance of Glory.

It’s amazing. The list of legendary deeds the setting has prebuilt is extensive. Aside for my (admittedly undecided) reservations about the ruleset, this whole section is great game design, evocative setting integration, and exceptionally well dome.

9/10


4.) Game Master Section

The GM section here is designed to be appended to the GM section in the corebook, so it’s a little sparse. It talks about how to run an “epic” game and deal with questions of divinity, god-hood, and integrating some of the fiddly bits of the Cypher System into Gods of the Fall.

7/10


5.) Pre-made Adventure

There’s one here, designed to get you started on your path to Godhood. It’s pretty fun, but as always, all pre-mades suffer from a need to cram all the little bits you need to learn about the game into this book. Wasn’t for me, something with a little more epic (like the GM section advises) around the pre-made would have felt better.

7/10


Total Score: 42/50

That’s a pretty high score, and it reflects my impressions of the game. I am exceptionally impressed and glad I got in on this. I’m already planning a full campaign and how I’d run that, and my head is full of cool visuals, ideas, and plot threads.

This game is awesome. Full stop.

Monthly One-Off Recap! The One Ring from Cubicle 7!

NEW-TOR-packshotEvery month, I or a guest GM, run a “one-off” for any one who wants to come.

It’s always a pre-determined game, set several months in advance, and we use it to teach, learn or try games, we’d not play normally, either due to interest, trepidation or others. It’s sort of a time we cut loose, just play an RPG, and enjoy company with out the structure or stricture of a full campaign (which we love, but a break is nice).

I’ve been heads down on my Kickstarter for my science fiction RPG: Tiny Frontiers, so it was nice to step away and take a break for an evening.


This month, we played The One Ring from Cubicle 7. No one but me had played or read the books before, so we had 5 players new to the RPG, one of which is not a Tolkien fan, and one of which only really knows Tolkien through the movies.

I’ll explain: the reason I chose TOR was two-fold. First off, Lord of the Rings is my all-time favorite book series (as a series). I love the films, the associated media, the books, and all things.

Secondly, I selfishly just wanted to play it again (having only ever done a one-off).

So we sat down, and I provided everyone with pregenerated characters I pulled from the C7 website.

I ran through the rules, the dice, how Hope, Shadow, Fatigue and Endurance worked, and did my best to explain the combat rules before we did any combat.

We started with a pretty iconic style of adventure, Gandalf giving a hobbit a quest to recover a piece of treasure that was driving an Orc Warlord made due to it’s Dragon-Curse. The Dwarves of the Misty Mountain would have gone in force to recover the lost goblet of King Gamlin the Fat, and Gandalf wanted the land to remain settled after the Battle of Five Armies.

We worked through the Journey mechanics and explained how the Travel Map works. We were able to leverage that to great success, with the party encountering harsh rains, that slowed them by several days, but eventually making the trek to Rhosgobel where we used the social encounter rules to have the party gather information at the Inn of the Leaping Trout.

the_one_ring_iconics_wallpaper_by_jonhodgson-d494jc1We had a lot of fun with the introductions, the use of the Riddle and Song skills (which feel very Tolkienian), and learning how fellowship focuses work.

The company eventually traveled off into the deep dark of the Mirkwood where they encountered giant spiders, and the Orc warband of Gathon the Greedy, an orc who survived the Battle of Five Armies, but was driven mad by Dwarven gold he stole.

There was a ferocious battle, and wounds were taken and shed on both sides, but eventually the foul Orc was slain.

The treasure was returned to Gandalf, and all ended well.

We ran out of time, so we didn’t get to leverage or use the Fellowship phase, but overall it was great.


The mechanics and style of the game feel very Tolkienian, and the strength of the game is clearly apparently, as it’s a master-class in building rules around the form and setting of a game.

I loved it, and all the players were complimentary of the mechanics, agreeing that it fit the idea and feeling of Lord of the Rings.

(Highly Biased) Grade:

  • Mechanics: A-
  • Setting: A+
  • Accessibility: A
  • Replayability: A+

I think I might be able to run a TOR campaign shortly! Everyone had a good time, and several people were very complimentary regarding the mechanics and feel of the game.

An excellent success and a winning game.

RPG Review: Mutants and Masterminds 3rd Edition from Green Ronin

GRR5510e_MutantsAndMastermindsThirdEditionDeluxeHeroesHandbook_1_1024x1024Wow, two RPG reviews in a week. Aren’t you lucky?

I have a soft spot in my RPG heart for Mutants and Masterminds, as both my favorite superhero RPG, and one of my best campaign memories (an online play-by-post) with some of my best friends at the time.

I’ve only tried to run it a handful of times since then, but I still carry very fond memories of it. So I finally took the dive and obtained the 3rd edition corebook, several years after it had already been out.

So here I am, to review Mutants and Masterminds Third Edition!


1.) Size and Production Quality

A 288 page full color hardback book. Regular sized, and expertly laid out, the quality of this book is also very reminiscent of the graphic design/layout of the previous 2e edition I fell in love with. It’s a well made book, and very easy on the eyes to read. The quick references pages at the end are fantastic, and very useful in the heat of game play.

10/10


2.) Art

In my previous review, I complained about art being reused from previous editions, and M&M 3e commits some of the same sins. However, they go out of their way to also include new art, which is fantastic. Some of the new “iconic” heroes, are amazing, and the art that covers them is equally amazing. There’s a few weak points in the art throughout the book, but very few books have gorgeous perfect art all the way through.

8/10


3.) Content/Rules

So. One of the big struggles with M&M 2e was it’s mired beginnings in 3rd edition D&D’s OGL. There was a lot of holdover baggage there, and the game suffered in actual play for it.

I’m pleased to find that 3e doesn’t commit those errors. The design team did a fantastic job of stripping the game down to it’s core and basic play mechanics and rebuilding from there. Multiple tables have been condensed into a single quick reference table. Powers have been streamlined, and problematic powers have been completely redefined into newer versions with better mechanics, or removed completely. There were a few old powers I missed in the new book as their own powers (gravity control, etc), but Green Ronin did the stellar job of publishing a very in-depth and useful conversion guide (here) that will cover your needs and help you find the new equivalent to those old powers.

The changes to abilities, advantages, skills, and effects really bring the game into a simpler design space, while retaining the “complexity” of custom builds that helped to allow a player to truly define what they wanted.

10/10


4.) Game Master Section

As always, I normally loathe game master sections. But, Green Ronin knocked it out of the park here, with indepth examples of the more complex rules, detailed analysis of comic book and superhero genre, (in movies, comic, novel or other formats).

I was actually quite impressed. My only real complaint is the lack of easily accessible PDF print outs of some of the charts and tables they want you to use. I understand the lack (buy the GM screen), but as a player who doesn’t like GM screens, I really don’t want to buy one. I’d rather just have a reference sheet I can use as needed.

8/10


5.) Pre-Made Adventure

Wow. 2 pre-made adventures that are distinct, different, and very well written. As a bonus, there’s a partial 3e update to Freedom City (their old 2e default setting), and their new setting Emerald City (which actually seems really cool).

Well done Green Ronin. Well done.

10/10


Total Score: 46/50

Wow. Not a bad score (actually really high, I think only Pendragon books have beaten this one out). I love this edition, and I’m intending to make time for it after my next campaign wraps up (whenever that is).

A great book, and one I’ll avidly recommend, especially if you love the genre like I do.

First Playtest: Candlelight

5826e2492b9de503630986c7f5df09fcSo, tonight marked the first playtest of Candlelight.

I haven’t talked about it much, but Candlelight (working title!), is a project I’m developing for down the road.

It uses some pretty unique ideas I’ve been stewing on for a while (the first attempt at this game was several years ago), and I tried to deliver those in a uniquely cool storytelling package designed to tell a different sort of story than the one most players are used to.

I’ve been sort of fleshing out the setting, and discussing possibilities with a possible co-writer, but nothings really moving forward, so that’s different.

This was an alpha test: the literal first session of the mechanics. I assembled a new playtesting team for this game, one that has never tried to play in a game I designed from the group up.

First thoughts, go!

  1. No dice mechanic was a success. I was concerned it wouldn’t be intuitive but it seemed to catch on really fast, and my alternate resolution system worked wonders.
  2. Simple classes and abilities worked. This was a nice success. The “classes” or “archetypes” worked wonderfully and got players right into the theme, while allowing them to feel different.
  3. The Dread Track mechanic worked wonders. I liked it, and I think it landed exactly at the right tempo.
  4. The resource management mechanics I’d worked in seemed good, but there were some scaling issues, so when I have time (ie. not working on Tiny Galaxies or Planet Mercenary), I’ll have to go back and re-math those.

Overall, I’d call it a 7 out of 10. The player side mechanics feel good. I need to work on the GM side mechanics/setting building mechanics. I have some ideas I’m really wanting to implement there, and I need to work out what those look like.

 

RPG Review: Cypher System from Monte Cook Games

CSR-NormalToday I’m reviewing the Cypher System Rulebook from Monte Cook Games.

It’s a generic RPG system, designed to make storytelling both faster, easier on the GM, and flexible enough to do anything.


1.) Size and Production Quality 

So, Cypher System Rulebook is large. 400+ pages, with full-color illustrations, layout and more. The sidebars contain call-outs, page references and more, that make using the game exceptionally easy. Big win, and a beautiful book.

10/10


2.) Art

The art is pretty good throughout the book for the most part, but there are a few pieces that just aren’t very good. It’s a little disappointing, but, in the end, the majority is pretty good, and evokes the feeling each particular section is going for.

The cover is fantastic, and I really like how it shows the main 4 types of campaigns the CSR is pointed towards.

7/10


3.) Content and Rules

The “Cypher” system is based on the same ruleset that powers Numenera, The Strange and in a diluted way, No Thank You, Evil!. It’s a system that has been discussed extensively in other places, so I won’t get into details, but I find the character creation to be a joy compared to other games.

The idea of “I’m a [adjective] [noun] who [verbs]” is easily accessible to a majority of players, and makes the character creation fly by. It’s easy to explain and understand, and helps to guide players through the system.

The dice system is probably my least favorite component of the game. It’s a little too unwieldy and hard to explain to new players when they’re playing. The idea of “the difficulty times 3 is what you need to exceed on a d20, but effort/edge can lower the difficulty, so you have to roll X” leads to the GM constantly re-explaining that portion of the rules to new players. For the simplicity the rest of the game follows admirably, this particular mechanic bothers me. It’s not a bad mechanic, but I think it is a little too difficult to use.

The items and flexiblity of the system in running/playing other games is apparently, and the several chapters dedicated to emulating particular genres are very well done.

7/10


4.) Game Master Section

 

Each particular genre section contains information about running the Cypher system inside that genre, and custom rules for that genre. The Game Master section also includes a “bestiary” that covers all the genres, rules for setting tone, theme, and guidance on how to deliver the expectations of each genre. It’s fairly complete but lacks in a few sections.

9/10


5.) Pre-made Adventure

There is no pre-made adventure in this game, so instead, we’ll look at the “Campaign Worksheet” add-on. It’s an excellent page, devoted to helping you determine exactly what the game is you’re running, what’s allowed, and what particular rules you’re using, then giving them to players to allow them to have the full campaign in mind. It’s very well done, and necessary to the game.

10/10


Total Score: 43/50

 

Hey, that’s a pretty solid score. It’s beat out all the FFG games, and only falls behind Pendragon and Keltia (theme is my winner there). It’s a good book, and a good generic system, and one I’d recommend to newer RPGers or players who are wanting a fast paced, cinematic, and storytelling focused system. The rules rarely get in the way of the game, and it’s a pretty fun ride on the read through.

I’d purchase this game again, and the fact that I keep trying to come up with campaigns to use this game for is an indicator of how it’s caught my attention.

Monthly One-Off Recap: Pendragon!

KAP+Pendragon+5.1Every month, I or a guest GM, run a “one-off” for any one who wants to come.

It’s always a pre-determined game, set several months in advance, and we use it to teach, learn or try games, we’d not play normally, either due to interest, trepidation or others. It’s sort of a time we cut loose, just play an RPG, and enjoy company with out the structure or stricture of a full campaign (which we love, but a break is nice).

This month, we played King Arthur Pendragon, the 5.1 edition from Nocturnal Media. Only one of our players had played before, so it was a new experience for the rest of the guests.

I’ll recap: the reason I chose Pendragon was two-fold. First off, Pendragon is my all-time favorite roleplaying game. Bar none. I consider the mechanics, setting, roleplaying, and theme perfectly melded into the perfect game. As an RPG designer, it had more influence on me than any other game. I can’t talk about it enough, or rave about it enough to anyone who will listen (and often those who won’t). kap2

Secondly, due to my constant raving, talking, and musing on Pendragon, several of my players from my various groups who had never tried it, wanted to try it.

So we sat down, and I walked them through the base character creation in the core book. I was using the new Great Pendragon Campaign expansion of 480 – 484 that recently came out with The Book of Uther (review here), and set it in that time frame. KAPBookofUther

Character creation was a blast. The explanation of Traits (internal personality and emotional drivers) and Passions (external attachments and drivers) instantly fired the new players, and made visualizing their knightly character much easier for them. The skills, the family history, and the land ownership instantly invested them in the setting and the game, and made everyone much more involved that I usually see in a one-off.

That took about an hour to get everyone through, we determined their land, and got them started on their quest.

It was a brief adventure, involving brigands who were holding a small ford used for trading, newly knighted characters with something to prove, and a scheming manor lord out for more power and authority.

We did the Winter Phase (despite the one-off nature), because I wanted the players to experience the phase I consider the most fun in the game, and the aspect I enjoy the most, namely manor management. all the players but one successfully had children, and the odd one out lost his wife and child during the winter phase, and there was mourning throughout the land.

There was excellent roleplay all around, some great rolls, some terrible rolls, inflamed passions (in characters, not players), revenge, and honor. The game felt instantly captivating to me, and after the game, we had a recap, and the reviews were unanimously positive regarding the mechanics, setting, and ideas behind Pendragon.

(Highly Biased) Grade:

  • Mechanics: A+
  • Setting: A
  • Accessibility: A+
  • Replayability: A

I think I might be able to reboot my Great Pendragon Campaign shortly if I can keep selling the game like this. Of course, the game makes it easy to sell, due to it’s excellent and awesome nature.

Overall, a resounding success.

RPG Retrospective: Dark Ages: Vampire from White Wolf Publishing

2676This is the first post in a series of post I’m titled (unimaginatively) “RPG Retrospective”. I’m a fairly young guy when you compare my age to the history and length of RPGs (I’m less than 30, where as oD&D was published in 1974), which means I’ve really only been playing RPGs for about 15 of the 41 years they’ve been around.

The goal of these posts is for me to dive into historical RPGs (ie. ones that I never played or missed due to age/etc), and try to understand and study them. I’ve played some of ’em, and I will play more of ’em, but I’m gonna start with the one I’ve ran the most, Dark Ages: Vampire.


 

So, my first true exposure to the World of Darkness was the “new” World of Darkness game Vampire: The Requiem, and I was exposed to it through a friend who wanted to run Mage: The Awakening. I was 18, impressionable, away from home at college for the first time, and V:tR scratched an itch I didn’t even know I had. It was a pretty great time for me. About a year later, a co-worker was offloading a bunch of RPGs they didn’t play anymore, and offered them to me for a great deal.

The copy of Dark Ages was shrink-wrapped, and I didn’t get a chance to play it until my friends Jeremy and Ken convinced me to open it late one night at Dragon’s Keep and run it (having never read any oWoD materials). We made characters and started playing at like 10 pm, and come 4 am, we were still going strong on our first session (with me learning the rules as I went). I fell in love.

That campaign ran for a bit, traversing 1100’s Europe until we invited some new players who wanted in, and the game sorta…fell apart. In a giant flaming cluster of a mess frankly. I wasn’t GM capable for that game.


 

Dark Ages: Vampire deals with the medieval machinations of 11 clans of Vampires in Europe, North Africa, the Holy Land, and Eastern Russia/Europe. It’s dark, and gothic, and a product that stands on it’s own, in the best way.

The ruleset is dated. There are poorly written points, and unbalanced mechanics (screw celerity), and the fiction is dark and deliberate throughout the book.

It’s a White Wolf production through and through, and it shows. However, I love it. I wouldn’t change a damn thing (except Celerity, ugh), and I’d run it again in a heartbeat. Dark Ages: Vampire and by extension games inspired/similar to it were a huge inspiration to me in my design, and I didn’t realize it until almost 8 years later.

8 years. Wow.

I consider Dark Ages: Vampire the pinnacle of White Wolf gaming for me, and I intend to pick up the 20th Anniversary Edition (which somehow I missed?) as soon as possible and get down to gaming with it again.