Leonard Cohen

I’m not really a person who gets invested in celebrity as a concept. There’s actors I like and follow, musicians I enjoy, but I don’t really tie my personal life or feelings up in them or their works.

That being said, Leonard Cohen was a massive influence on my musical listening and personal life. The raw, hoarse, gravelly voice was among some of the first CDs I bought as a college student. There was something about the old fellow in a fedora on the cover that grabbed me. Bought a CD sound unheard, and sort of ignored it for a while in favor of Guns n’ Roses, and 80s rock I already knew I liked.

I can’t remember anymore why I listened to it when I did, but at a time when I didn’t know I was bipolar and struggling through depression, Cohen’s music and his voice struck a personal chord, and it became one of the closest things I had to a friend during those days. It was a personal thing. I wouldn’t play it if others were around, or could hear. It was music that I listened to by myself, for myself, and with myself.

There’s a sense of personal loss at the news of his death. It’s a sort of an echoing, rattling feeling, bouncing around my emotions and brain like a hollow echo. It’s something I hadn’t quite expected to feel or have resonate within myself today.

I’d put off listening to his music in the last half-decade, as I’d attempted to put those negative memories behind me. I don’t think I’ve really listened to a single song of his until last night. I shrugged it off as another event in 2016, and while sad, it was just…what it was.

Today, I found my old Cohen playlist, and loaded it into Google Play. Hearing that off-key, yet familiar voice coming through the speakers today was like seeing an old friend. I’ve found the bad memories have washed away, and I’m left with the deeply personal, almost spiritual reverberations. I’m looking forward to updating this playlist and exploring what I’ve missed. It hit me harder than I thought it would today, and so here we are. Me placing words on digital paper as the album Ten New Songs is playing behind me.

Thank you Mr. Cohen, and I hope you have found what you needed to. You left something indelible on my soul, and I’m better for it.

leonard-2_cohen

 

 

David Gemmell Reread!

It’s that happy time of year again, where I get to reread and revisit the works of my favorite fiction author, David Gemmell!

Every August, I dive into a massive reread of all of Gemmell’s fiction works, and this year, I’ve decided to review and talk about each book as it goes on (this blog needs some serious love, so here’s something to start with). I read each of his books in their respective groupings/series, and for clarity’s sake, here is my reading order.

If you wanna read along, or discuss the work, I’d love that. I don’t get to rave or talk about the themes in Gemmell’s work enough.


505352Rigante series – Flintlock Fantasy before “Flintlock Fantasy” was really a genre, this book series is probably my absolute favorite work of his. I love the take on cultures from across the sea, the detailed worldbuilding, and the century spanning timeline.

  • Sword in the Storm
  • Midnight Falcon
  • Ravenheart (my personal favorite in the series)
  • Stormrider

 

 

 


Drenai Series – Second favorite, because it’s a classic. You can’t go 618177wrong with the best Heroic Fantasy on the market. Or ever.

  • Legend (it’s a classic, and it’s my favorite book of his).
  • The King Beyond the Gate
  • Waylander
  • Quest for Lost Heroes
  • Waylander II: In the Realm of the Wolf
  • The First Chronicles of Druss the Legend
  • The Legend of Deathwalker
  • Winter Warriors
  • Hero in the Shadows
  • White Wolf (The Damned Series Book 1)
  • The Swords of Night and Day (The Damned Series Book 2)

 

last-guardianStones of Power – This one is a little weird, so I just copied the Wikipedia description. It reads like two vaguely connected series.

“This series is known by several names. The entire series deals with the Stones of Power, also known as the Sipstrassi. The first two books contain a re-imagining of the Arthurian legend. The last three novels involve the protagonist Jon Shannow.”

  •  Ghost King
  • Last Sword of Power
  • Wolf in Shadow
  • The Last Guardian
  • Bloodstone

 


Hawk Queen  – Dimension hopping fantasy. Love it.

  • Ironhand’s Daughter
  • The Hawk Eternal

 


Standalone Novels

  • Knights of Dark Renown
  • Morningstar
  • Dark Moon
  • Echoes of the Great Song

Troy series – Historical Fantasy!

  • Troy: Lord of the Silver Bow
  • Troy: Shield of Thunder
  • Troy: Fall of Kings

Greek series – More Historical Fantasy!

  • Lion of Macedon
  • Dark Prince

 

New Update! Tiny Galaxies!

Shiny new update regarding my next project! Tiny Galaxies!

You can find out more HERE, and see the cover art/logo, and a piece of art from the interior of the game!

You can expect more regular updates as we get closer to the Kickstarter.

In Praise of ABC’s Galavant

galavant-poster-fullGalavant is ABC’s musical comedy that airs over a 4 week period. I watched last year when it came out, as light-hearted, and comedic fantasy TV is rare and doesn’t come up often.

I absolutely fell in love. It’s a wonderfully comedic blend of Monty Python, Mel Brooks and Disney, and if that doesn’t sound like something deserves your immediate attention, i don’t think I can’t help you.

But I’m gonna try.

It was hands down the best thing I saw on TV all year. The story is pretty basic at the very start, but I can have you just watch the intro. Don’t worry. I’ll wait.

That’s not even the best song. Somehow I missed the the premiere of the second season (I still haven’t forgiven myself), probably because Galvant’s original renewal was probably the surprise of television for me as it’s ratings were…mediocore. But Galavant is everything that is right with fantasy, music, and enthusiasm for the arts in a single 21 minute package delivered twice a week.

If it’s not absolutely clear to anyone, I’m a huge fan of fantasy. I play roleplaying games, I read fantasy novels, and this blog is called The Last Paladin. I don’t know how else to telegraph my love of fantasy to the world.

What Galavant is, is a fresh breath of air in a stale, grim and hard era of fantasy. It takes all the ideas that make up shows like Game of Thrones, and turns them into rousing musical numbers, witty one-liners, and delightfully cliche tropes that breathe new life into a genre that was desperate for something like this.

Every half hour episode has three musical numbers, and brilliant guest stars abound at every corner.

The second season did the right step, and instead of simply following the same old song and dance (I’m not even sorry I did that), it takes bold forays into new territories. Zombies, expertly executed spoofs of famous musicals like Grease, West Side Story (Dwarves vs Giants, anyone?), and Menken’s work on Disney and others, resound throughout. Even those in the cast who can’t carry a tune as well as others get their songs, and they’re positively brimming with enthusiasm.

The passion and joy of the cast carries through in the show, and when the first episode of the second season opens, the tongue in cheek surprise at renewal and joy of being back carries through.

I’m not the only one who feels this way. Galavant has a 100% Rotten Tomatoes rating for the second season, and it’s well deserved.

The last two episodes air this Sunday (on my birthday! Thanks ABC!). While I love shows like Netflix’s Daredevil and Jessica Jones, and of course HBO’s Game of Thrones, Galavant is the only show I will spend this year raving about to everyone.

I look forward to spending Sunday night enjoying the Season 2 finale, and then fervently hoping that ABC will give me one more season to enjoy.

Watch @GalavantABC. You won’t regret it. Buy it on Amazon Video, watch it on Hulu, get it on BluRay, but whatever you do, do yourself the biggest favor you will this year, and binge watch Galavant.

 

 

LTUE Convention Appearences

This year, I will be presenting at LTUE (Life, The Universe, and Everthing) in Provo, Utah.

I only have 4 panels this year, but last year, they added some at last minute notice, so keep an eye out and I’ll be around.

Here are the panels I’m on:


Managing a Giant Project: The Highs and Lows of Creating Planet Mercenary

Thursday: 10 am to 11 am

Room: Birch 

This will be the Planet Mercenary RPG team (Howard Tayler, Sandra Tayler, and yours truly) where we talk about the struggles, successes, and lessons we learned from Kickstarting the number 4 RPG last year. (Truth: See it here)


Tropes in Games

Thursday: 11 am to 12 am

Room: Zion

Description: “What is it about princesses that makes them so kidnappable? Does Chekhov’s gun really have to go off? This panel will examine the many tropes in games.”


Indie Game Development

Friday: 10 am to 11 am

Room: Olympus

Description: “How do you develop a game outside of a major publisher? This will cover different aspects of development, play testing, and marketing.”


Board Game Design

Friday: 5 to 6 pm

Room: Olympus

Description: “The process from start to finish of creating a board game.”


 

Look forward to seeing you there!

Updates (with Schlock RPG Spoilers)

Whew.

It’s been a while since I posted.

Life has been busy. We’re in full swing on the Schlock Mercenary RPG (not real title), and I have a spoiler here:

Schlock RPG Spoiler

Great, go read that. I’ll wait.

We had LTUE, where I had several panels on game design, games, and some lit panels. We playtested more Gallant, I landed two new RPGs based on literary universes that I think are fantastic, and I think everyone will really like.

My new job has kept me unfortunately busy, and I’ve had less time to devote to things here, but rest assured, I’ve got 4 review drafts in the pipeline and they’re gonna start coming again.

Just a quick update, and expect to see more starting later next week.