Alan Watches Star Trek: The Next Generation

TNG_headSo, horrible geek confession, but I’ve never watched all any Star Trek other than The Original Series in series chronological order. Not to mention movies or other tie-in media.  But hey, The Next Generation is on Netflix, and I have always have a hankering for science fiction, especially Star Trek.

So I decided to chronicle my feeble attempts to dig into a show older than I am, and see what I get. I will try to watch a chunk and post them as large blog-posts with my thoughts and impressions, and see what we get from that. Expect several episodes a blog-post.

bdbd12a07a0e022966f4cdbb864076f12a632d36Season 1, Episode 1 & 2: “Encounter at Farpoint”

Wow. Long episode. I was not prepared for this. Also, maybe it’s cuz I’m 30+ years behind the airing date, but there feels like there’s very little character development. I mea, I see this Geordi La Forge character wearing a visor thingy, and it seems to let him see other wavelengths? Also, Data is an android (ok, sure, I knew that), but why is he here? Why does he exist on this ship? Who the crap built him?

Also, Q shows up and just randomly decides he wants to mess with The Enterprise. Ok. Omnipotent being is swayed by Picard. Yeeah.

Oh. SPACE JELLY FISH! That can poop out a space station. Why isn’t this two episodes? I mean it basically could be split down the middle into two. No problem. But hey, Q, shows up to book end the episode, so I guess it’s one!

Rating: Meh. This wasn’t mindblowingly good in any way. Maybe a 2 of 5 stars. Turns out it’s two episodes when I check the episode guide. Whoops. There’s almost no real character here, you just kinda…crash headlong into behavior and tropes. It’s…kinda confusing.

Season 1, Episode 3: “The Naked Now”

Ah! Here we go. This feels like an episode of classic Trek. Collapsing stars, trapped science vessels, boldly going. Frozen people. Hey! It’s the helmsman with the visor. He caught a frozen person.

Oh. People are being weird, and there is a tie in to the original series now. But the tie-in is really only fan service. Cute.

Oh, awkward security chief and android romance scene.

Hey! Young Wil Wheton got infected. He’s like some techno-genius, and made a…tractor beam? That seems REALLY dangerous to let someone have in a ship. Especially a kid. I mean, what if he starts shoving people into bulkheads or throwing them around the ship.

Oh. Everyone is gonna die unless Super-Android, and Genius Boy can save the day, which they do. With (gasp), a tractor beam. And everyone is really cured.

Rating: Wtf. I literally have no idea what I watched. We met the chief engineer, and I feel like there was actual character development, which was sorely needed, but I suspect all the character development I saw is…false? Everyone was forced to act out of character, and I just don’t know.

Season 1, Episode 4: “Code of Honor”

Alright. So, we fly to a planet where they base their culture on customs similar to ancient Africa. This culture has a needed vaccine, and after we all meet, the leader decides to kidnap the impressive Chief of Security for the Enterprise…who…gets kidnapped. Thus not being very impressive as the chief of security. Hm.

Oh, now the chief wants to marry Tasha Yar, for some political shenanigans. Fight with poisoned weapons, and stuff, death, and legal jiggery-pokery. Picard goes full Kirk and does generic Starfleet captain trickery.

Rating: I don’t know what to think, but this episode felt crazy racist. Maybe I missed something key? But hey, we get more La Forge and Data character development. Which is far more than everyone else is getting.

Summary

Well, I’m only four episodes in, and there’s…22 more to go. Ok, how did this show MAKE it? Was it simply carrying on through nostalgia? Was there a dearth or good television at the time? Also, what the crap? Is character development not a thing on 80s TV? Do they not believe in establishing dialogue?

Oh man. I actually find myself dreading the rest of the show (I mean, I’ve seen it before out of order, so I know there’s good there, but I have to get there).

In Praise of ABC’s Galavant

galavant-poster-fullGalavant is ABC’s musical comedy that airs over a 4 week period. I watched last year when it came out, as light-hearted, and comedic fantasy TV is rare and doesn’t come up often.

I absolutely fell in love. It’s a wonderfully comedic blend of Monty Python, Mel Brooks and Disney, and if that doesn’t sound like something deserves your immediate attention, i don’t think I can’t help you.

But I’m gonna try.

It was hands down the best thing I saw on TV all year. The story is pretty basic at the very start, but I can have you just watch the intro. Don’t worry. I’ll wait.

That’s not even the best song. Somehow I missed the the premiere of the second season (I still haven’t forgiven myself), probably because Galvant’s original renewal was probably the surprise of television for me as it’s ratings were…mediocore. But Galavant is everything that is right with fantasy, music, and enthusiasm for the arts in a single 21 minute package delivered twice a week.

If it’s not absolutely clear to anyone, I’m a huge fan of fantasy. I play roleplaying games, I read fantasy novels, and this blog is called The Last Paladin. I don’t know how else to telegraph my love of fantasy to the world.

What Galavant is, is a fresh breath of air in a stale, grim and hard era of fantasy. It takes all the ideas that make up shows like Game of Thrones, and turns them into rousing musical numbers, witty one-liners, and delightfully cliche tropes that breathe new life into a genre that was desperate for something like this.

Every half hour episode has three musical numbers, and brilliant guest stars abound at every corner.

The second season did the right step, and instead of simply following the same old song and dance (I’m not even sorry I did that), it takes bold forays into new territories. Zombies, expertly executed spoofs of famous musicals like Grease, West Side Story (Dwarves vs Giants, anyone?), and Menken’s work on Disney and others, resound throughout. Even those in the cast who can’t carry a tune as well as others get their songs, and they’re positively brimming with enthusiasm.

The passion and joy of the cast carries through in the show, and when the first episode of the second season opens, the tongue in cheek surprise at renewal and joy of being back carries through.

I’m not the only one who feels this way. Galavant has a 100% Rotten Tomatoes rating for the second season, and it’s well deserved.

The last two episodes air this Sunday (on my birthday! Thanks ABC!). While I love shows like Netflix’s Daredevil and Jessica Jones, and of course HBO’s Game of Thrones, Galavant is the only show I will spend this year raving about to everyone.

I look forward to spending Sunday night enjoying the Season 2 finale, and then fervently hoping that ABC will give me one more season to enjoy.

Watch @GalavantABC. You won’t regret it. Buy it on Amazon Video, watch it on Hulu, get it on BluRay, but whatever you do, do yourself the biggest favor you will this year, and binge watch Galavant.