David Gemmell Reread!

It’s that happy time of year again, where I get to reread and revisit the works of my favorite fiction author, David Gemmell!

Every August, I dive into a massive reread of all of Gemmell’s fiction works, and this year, I’ve decided to review and talk about each book as it goes on (this blog needs some serious love, so here’s something to start with). I read each of his books in their respective groupings/series, and for clarity’s sake, here is my reading order.

If you wanna read along, or discuss the work, I’d love that. I don’t get to rave or talk about the themes in Gemmell’s work enough.


505352Rigante series – Flintlock Fantasy before “Flintlock Fantasy” was really a genre, this book series is probably my absolute favorite work of his. I love the take on cultures from across the sea, the detailed worldbuilding, and the century spanning timeline.

  • Sword in the Storm
  • Midnight Falcon
  • Ravenheart (my personal favorite in the series)
  • Stormrider

 

 

 


Drenai Series – Second favorite, because it’s a classic. You can’t go 618177wrong with the best Heroic Fantasy on the market. Or ever.

  • Legend (it’s a classic, and it’s my favorite book of his).
  • The King Beyond the Gate
  • Waylander
  • Quest for Lost Heroes
  • Waylander II: In the Realm of the Wolf
  • The First Chronicles of Druss the Legend
  • The Legend of Deathwalker
  • Winter Warriors
  • Hero in the Shadows
  • White Wolf (The Damned Series Book 1)
  • The Swords of Night and Day (The Damned Series Book 2)

 

last-guardianStones of Power – This one is a little weird, so I just copied the Wikipedia description. It reads like two vaguely connected series.

“This series is known by several names. The entire series deals with the Stones of Power, also known as the Sipstrassi. The first two books contain a re-imagining of the Arthurian legend. The last three novels involve the protagonist Jon Shannow.”

  •  Ghost King
  • Last Sword of Power
  • Wolf in Shadow
  • The Last Guardian
  • Bloodstone

 


Hawk Queen  – Dimension hopping fantasy. Love it.

  • Ironhand’s Daughter
  • The Hawk Eternal

 


Standalone Novels

  • Knights of Dark Renown
  • Morningstar
  • Dark Moon
  • Echoes of the Great Song

Troy series – Historical Fantasy!

  • Troy: Lord of the Silver Bow
  • Troy: Shield of Thunder
  • Troy: Fall of Kings

Greek series – More Historical Fantasy!

  • Lion of Macedon
  • Dark Prince

 

Alan Watches Star Trek: The Next Generation

TNG_headSo, horrible geek confession, but I’ve never watched all any Star Trek other than The Original Series in series chronological order. Not to mention movies or other tie-in media.  But hey, The Next Generation is on Netflix, and I have always have a hankering for science fiction, especially Star Trek.

So I decided to chronicle my feeble attempts to dig into a show older than I am, and see what I get. I will try to watch a chunk and post them as large blog-posts with my thoughts and impressions, and see what we get from that. Expect several episodes a blog-post.

bdbd12a07a0e022966f4cdbb864076f12a632d36Season 1, Episode 1 & 2: “Encounter at Farpoint”

Wow. Long episode. I was not prepared for this. Also, maybe it’s cuz I’m 30+ years behind the airing date, but there feels like there’s very little character development. I mea, I see this Geordi La Forge character wearing a visor thingy, and it seems to let him see other wavelengths? Also, Data is an android (ok, sure, I knew that), but why is he here? Why does he exist on this ship? Who the crap built him?

Also, Q shows up and just randomly decides he wants to mess with The Enterprise. Ok. Omnipotent being is swayed by Picard. Yeeah.

Oh. SPACE JELLY FISH! That can poop out a space station. Why isn’t this two episodes? I mean it basically could be split down the middle into two. No problem. But hey, Q, shows up to book end the episode, so I guess it’s one!

Rating: Meh. This wasn’t mindblowingly good in any way. Maybe a 2 of 5 stars. Turns out it’s two episodes when I check the episode guide. Whoops. There’s almost no real character here, you just kinda…crash headlong into behavior and tropes. It’s…kinda confusing.

Season 1, Episode 3: “The Naked Now”

Ah! Here we go. This feels like an episode of classic Trek. Collapsing stars, trapped science vessels, boldly going. Frozen people. Hey! It’s the helmsman with the visor. He caught a frozen person.

Oh. People are being weird, and there is a tie in to the original series now. But the tie-in is really only fan service. Cute.

Oh, awkward security chief and android romance scene.

Hey! Young Wil Wheton got infected. He’s like some techno-genius, and made a…tractor beam? That seems REALLY dangerous to let someone have in a ship. Especially a kid. I mean, what if he starts shoving people into bulkheads or throwing them around the ship.

Oh. Everyone is gonna die unless Super-Android, and Genius Boy can save the day, which they do. With (gasp), a tractor beam. And everyone is really cured.

Rating: Wtf. I literally have no idea what I watched. We met the chief engineer, and I feel like there was actual character development, which was sorely needed, but I suspect all the character development I saw is…false? Everyone was forced to act out of character, and I just don’t know.

Season 1, Episode 4: “Code of Honor”

Alright. So, we fly to a planet where they base their culture on customs similar to ancient Africa. This culture has a needed vaccine, and after we all meet, the leader decides to kidnap the impressive Chief of Security for the Enterprise…who…gets kidnapped. Thus not being very impressive as the chief of security. Hm.

Oh, now the chief wants to marry Tasha Yar, for some political shenanigans. Fight with poisoned weapons, and stuff, death, and legal jiggery-pokery. Picard goes full Kirk and does generic Starfleet captain trickery.

Rating: I don’t know what to think, but this episode felt crazy racist. Maybe I missed something key? But hey, we get more La Forge and Data character development. Which is far more than everyone else is getting.

Summary

Well, I’m only four episodes in, and there’s…22 more to go. Ok, how did this show MAKE it? Was it simply carrying on through nostalgia? Was there a dearth or good television at the time? Also, what the crap? Is character development not a thing on 80s TV? Do they not believe in establishing dialogue?

Oh man. I actually find myself dreading the rest of the show (I mean, I’ve seen it before out of order, so I know there’s good there, but I have to get there).